Hyperterrestrial explores selected sites across Dungeness and Romney Marsh through the lens of imagination and misremembering—how we think these landscapes might sound, rather than how they objectively do. Combining both raw and processed field recordings, locations such as Dungeness Power Station, the Denge Sound Mirrors, and Romney Sands Holiday Park are rendered as heightened, almost mythical versions of themselves. The work extends my PhD research into how landscapes are fetishised and distorted through personal and collective narratives, and how field recordings often reveal more ab...