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In TrajSynth, created for 32-channel diffusion, I explore the use of artificial intelligence as a generative tool - not for producing entire sound materials directly, but for sonifying the dynamic numerical processes that AI methods inherently generate. These constantly evolving numbers, often ignored in mainstream AI-music platforms, carry a latent energy that I find highly effective for sound creation. Rather than relying on ready-made platforms, I focus on tapping into the internal workings of AI – extracting numerical data from within neural networks or training loops - and translating tha...

Credits

Special Thanks To Jean Voguet, for giving me the opportunity to work on CRANE lab's 32.2 volumiphonic device and for inviting me to participate in his Curated By series on Sounding Future. And to Fränk Zimmer, for organizing the project and guiding us through the process, offering the opportunity to present our works on the Sounding Future platform for 3D Audio Space.

  • Electroacoustic
    Electronic
    Contemporary Classical
  • 2025
  • HOA, 5th order
  • Track curated by:

    CRANE lab

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