This work is inspired by the author and environmental philosopher Timothy Morton and their deconstructive approach to examining ecology. The audio and video were created through abstract generative techniques, including farming audio machine models with biblical quotes to extract bizarre singing samples, coding arrhythmic drum samples in SuperCollider, deconstructing open-source video game objects in TouchDesigner, and then datamoshing everything together using video codecs dating back to 2002. The piece takes its name from one of Morton's quotes on beauty and deals with the panoramic and kale...