In the creation of "Perspektiven von Venedig" (German for “Perspectives of Venice”), four recordings captured across various locations in Venice serves as the foundation. Employing an Ambisonics microphone (Zoom H3 VR) and recording at a high sample rate (96 kHz), the endeavor was to encapsulate a broad spectrum of frequencies, facilitating an immersive audio exploration. The compositional process is deeply rooted in the study of Acoustic Ecology, aiming to translate the diverse auditory perspectives of non-human entities into a humanly accessible form. The piece explores temporal resolution a...