The original sound material for this piece was produced using a small set of household objects during the isolation of the pandemic. The sounds were then processed using delays, filters, and spectral techniques, and mixed with processed vocal samples and noises produced by chaotic generators. The material is arranged in space and was originally rendered in higher-order Ambisonics. The title makes reference to the feeling of being connected to the whole world virtually, while at the same time being in complete physical isolation, like being at once everywhere and nowhere at all.