As the title suggests, this piece does not want to appear like a compendium of behaviors, rather the experience of careful observation of chaotically organized beast-like mechanisms. We move among digital creatures of iron and code in their natural habitats of plasmatic volcanoes, razor-sharp deserts, and diaphane lagoons, composing a sonic documentary of the impossible nature of imaginary cartographies. In this work we wanted to challenge the idea that acousmatic music composition is an individual activity. We decided to act collectively, to share practices and tools, to let our respectiv...