The sounds take their time, they linger, return, and shift, while recurring elements and fragmentary structures slowly unfold. Opening associative spaces between presence and memory, they create an atmosphere in which different states and materials begin to intertwine. Sustained, enveloping organ sounds, recorded in the former church of Bellelay, form the sonic foundation of the performance. Together with double bass, electromagnetic sounds, and everyday recordings, they create a shared sonic field in which acoustic sounds are gradually transformed through digital resonance. Shifts in the ove...