Fuse represents a coming-together of sonic particles into effluvial, noisy clusters, and into notionally ‘whole’ real-world soundscapes, albeit soundscapes which themselves involve sonic effluvia (rain on a tin roof, fire crackling, supporters at a football match). These in turn dissolve into and meld (fuse) with each other, yielding sound evolutions and marriages impossible in the real world and facilitated entirely by spectromorphological similarities.