Invisible Colours draws its sound material exclusively from more than thirty synthesizers, both vintage and contemporary. These electronic instruments, spanning over five decades of development, interact to generate energy and a highly dynamic expression. To me, every sound possesses an almost visual dimension—its own structure, colour, movement, and spatial position. In this work, I sought to explore those qualities, painting with sound in a three-dimensional space around the listener. By using purely synthetic sources, I avoided the familiarity and associations of recorded everyday sounds,...