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Glass Eye
“Glass Eye” is an electroacoustic dystopia where the proliferation of surveillance technology is an invisible force, quietly eliminating resistance. The Glass Eye focuses on undesirables in the crowd, singles them out and eliminates them through a transformation from expression to apathy that eventually dissolves into harmless tones. “Glass Eye” is composed in 7th order 3D ambisonics. It was commissioned by Notam and premiered at the the Ultima Festival 2024 over a 32.2 channel 3D loudspeaker array at the film school in Oslo. For soundingfuture I have made two binaural decodings: one mad...
Credits
Composition and mastering: Natasha Barrett Composition work supported by the Norwegian Composers' Fund. Stereo version released on the album Toxic Colour (Persistence of Sound ): https://natashabarrett.bandcamp.com/album/toxic-colour
- Electroacoustic
- 2024
- Binaural
Track curated by:
Ultima