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Collecting Clocks and Losing Time

Anna Friz is a Canadian radio, sound, and media artist, working across platforms to present installations, broadcasts, documentary and experimental film and video, and live performances. Her creative and scholarly works often reflect upon media ecologies, land and infrastructures, time perception, radio and transmission art histories, and critical fictions. She specializes in self-reflexive radio for broadcast, installation or performance, where radio is the source, subject, and medium of the work. She has presented work internationally since 1998; recent venues include The Smithsonian Museum of Natural History, The Lab (San Francisco), Sonic Pavilion at Millenium Park, (Chicago), Sonandes Bienal Internacional de Arte Sonoro (La Paz, Bolivia), Tsonami Festival de Arte Sonoro (Valparaíso and Santiago, Chile), Bienal Sur (Argentina), Heroines of Sound Festival, Berlin Germany), esc Medien Kunst Labor (Graz, Austria), Donaueschinger Musiktage 2024 (Donaueschingen, Germany), Radio Art Zone (Esch-Zur-Alzette, Luxembourg), Ars Electronica Festival (Linz, Austria), and more. Her radio artworks have been commissioned by national public radio in Canada, Australia, Austria, Finland, Germany, Denmark, and Spain, and heard on public and independent airwaves all over the world. Anna is a 2023 Guggenheim Fellow, and won the Karl Sczuka Prize in 2024. She is currently Associate Professor of Film and Digital Media at University of California, Santa Cruz.
- ElectroacousticField RecordingsElectronic
- 2013
- 5.1
Track curated by:
Ö1 Kunstradio - Kunst zum Hören









