Aki Pasoulas is an electroacoustic composer who works primarily with recorded, environmental, and processed sound. He is currently Reader in Music at the University of Kent and Director of the Music & Audio Arts Sound Theatre (MAAST). He was the Principal Investigator of the research project Sonic Palimpsest, which explored our experience of heritage sites through sound; Co-Investigator of Liminal Spaces, which investigated remote areas by uncovering their hidden voices and activities; and Co-Investigator of Songs from the Shadows, which recreated nineteenth-century sound scenes from the life of the busker Billy Waters. Aki’s interest in the subjective experience of sound deepened through his research on time perception across the senses, revealing the holistic nature of auditory experience. His research interests include acousmatic music, time perception in relation to sound, psychoacoustics, spatial sound, and soundscape ecology. His scholarly and music works have been published by KPM/EMI, ICMA, Sonos Localia, Stolen Mirror, Gruenrekorder, HELMCA, Pinpoint Scotland, and Cambridge and Oxford University Press. His compositions are performed worldwide.