His work as a composer is mainly devoted to acousmatic music. More specifically, by the tones used and the aesthetic choices that tend to it, his approach is part of a "cinema for the ear" where "sense" contributes to the development of his works just as much as "sound". More recently he has composed a cycle of immersive multichannel music for speaker dome. Space has become a major feature of his musical work. Along with concert music, he has composed, for a period of twenty years, incidental music especially for dance and theatre. He also worked as artistic director for over twenty years,...