Adam Stanović composes music with recorded sound. In recent years, his music has drawn from both studio and location recordings, using both digital and analogue technologies. Adam’s music follows in the traditions of musique concrète, in the sense that it involves the direct (physical) manipulation of sound in ways that have been compared to the plastic arts, such as sculpture, painting, and pottery. His music always employs a fixed medium, but is sometimes accompanied by instruments, electronics, film, and animation. To date, he has won prizes, residencies, and mentions at competitions ar...